The King in Yellow – Day 71 of 87
A sleepy blackbird was carolling in some near thicket, and pigeons passed and repassed with the whisper of soft winds in their wings. The light on the Palace windows had died away, and the dome of the Pantheon swam aglow above the northern terrace, a fiery Valhalla in the sky; while below in grim array, along the terrace ranged, the marble ranks of queens looked out into the west.
From the end of the long walk by the northern façade of the Palace came the noise of omnibuses and the cries of the street. Hastings looked at the Palace clock. Six, and as his own watch agreed with it, he fell to poking holes in the gravel again. A constant stream of people passed between the Odéon and the fountain. Priests in black, with silver-buckled shoes; line soldiers, slouchy and rakish; neat girls without hats bearing milliners’ boxes, students with black portfolios and high hats, students with bérets and big canes, nervous, quick-stepping officers, symphonies in turquoise and silver; ponderous jangling cavalrymen all over dust, pastry cooks’ boys skipping along with utter disregard for the safety of the basket balanced on the impish head, and then the lean outcast, the shambling Paris tramp, slouching with shoulders bent and little eye furtively scanning the ground for smokers’ refuse;–all these moved in a steady stream across the fountain circle and out into the city by the Odeon, whose long arcades were now beginning to flicker with gas-jets. The melancholy bells of St Sulpice struck the hour and the clock-tower of the Palace lighted up. Then hurried steps sounded across the gravel and Hastings raised his head.
“How late you are,” he said, but his voice was hoarse and only his flushed face told how long had seemed the waiting.
She said, “I was kept–indeed, I was so much annoyed–and–and I may only stay a moment.”
She sat down beside him, casting a furtive glance over her shoulder at the god upon his pedestal.
“What a nuisance, that intruding cupid still there?”
“Wings and arrows too,” said Hastings, unheeding her motion to be seated.
“Wings,” she murmured, “oh, yes–to fly away with when he’s tired of his play. Of course it was a man who conceived the idea of wings, otherwise Cupid would have been insupportable.”
“Do you think so?”
“Ma foi, it’s what men think.”
“And women?”
“Oh,” she said, with a toss of her small head, “I really forget what we were speaking of.”
“We were speaking of love,” said Hastings.
“I was not,” said the girl. Then looking up at the marble god, “I don’t care for this one at all. I don’t believe he knows how to shoot his arrows–no, indeed, he is a coward;–he creeps up like an assassin in the twilight. I don’t approve of cowardice,” she announced, and turned her back on the statue.
“I think,” said Hastings quietly, “that he does shoot fairly–yes, and even gives one warning.”
“Is it your experience, Monsieur Hastings?”
He looked straight into her eyes and said, “He is warning me.”
“Heed the warning then,” she cried, with a nervous laugh. As she spoke she stripped off her gloves, and then carefully proceeded to draw them on again. When this was accomplished she glanced at the Palace clock, saying, “Oh dear, how late it is!” furled her umbrella, then unfurled it, and finally looked at him.
“No,” he said, “I shall not heed his warning.”
“Oh dear,” she sighed again, “still talking about that tiresome statue!” Then stealing a glance at his face, “I suppose–I suppose you are in love.”
“I don’t know,” he muttered, “I suppose I am.”
She raised her head with a quick gesture. “You seem delighted at the idea,” she said, but bit her lip and trembled as his eyes met hers. Then sudden fear came over her and she sprang up, staring into the gathering shadows.
“Are you cold?” he said.
But she only answered, “Oh dear, oh dear, it is late–so late! I must go–good-night.”
She gave him her gloved hand a moment and then withdrew it with a start.
“What is it?” he insisted. “Are you frightened?”
She looked at him strangely.
“No–no–not frightened,–you are very good to me–“
“By Jove!” he burst out, “what do you mean by saying I’m good to you? That’s at least the third time, and I don’t understand!”
The sound of a drum from the guard-house at the palace cut him short. “Listen,” she whispered, “they are going to close. It’s late, oh, so late!”
The rolling of the drum came nearer and nearer, and then the silhouette of the drummer cut the sky above the eastern terrace. The fading light lingered a moment on his belt and bayonet, then he passed into the shadows, drumming the echoes awake. The roll became fainter along the eastern terrace, then grew and grew and rattled with increasing sharpness when he passed the avenue by the bronze lion and turned down the western terrace walk. Louder and louder the drum sounded, and the echoes struck back the notes from the grey palace wall; and now the drummer loomed up before them–his red trousers a dull spot in the gathering gloom, the brass of his drum and bayonet touched with a pale spark, his epaulettes tossing on his shoulders. He passed leaving the crash of the drum in their ears, and far into the alley of trees they saw his little tin cup shining on his haversack. Then the sentinels began the monotonous cry: “On ferme! on ferme!” and the bugle blew from the barracks in the rue de Tournon.
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